Storyteller Out Now!

StorytellerCoverI’m so excited!

This collection of songs is one I am very proud of. I feel I’ve really tapped into the side of my creativity — telling stories of “days long gone” — that is closest to my heart. With the sound that is closest to my soul.

So it’s with great pleasure that I open my hands and bare it to the world.

At last. :-)

You can download the album for $8 in any format of your choosing, or you can purchase a physical CD for $10 + shipping. There’s also a poster available, and more merchandise planned for the future, so please check back. And tell your friends.

Click the image to go to the order site.

Best wishes, and I hope you enjoy the songs. :-)

Playing the ukulele is a bit like being naked

…And I feel like I’m naked in front of the crowd
And these words are my diary screamin’ out loud…

(“3 a.m.” By Anna Nalick)

It sounds funny, but hear me out:

All of our lives we are conditioned. In school our concert bands require alto and bass instruments. If full instrumentation is lacking, band teachers will move gifted students to cover the missing parts. High school choirs will resort to bribery to get tenors and baritones to join. On the radio we hear nothing but bands with the bass turned up. We hear not a solo singer, but a lead with at least three backup singers. We hear toms and reverb effects and synthesizer, and that’s just in popular music.

In classical music, the majority of pieces are unable to be performed without the full spectrum of strings, horns, and percussion as supporting cast. The majority of classical piano works require the lion’s share of the keyboard.

Jazz musicians would be lost without a full rhythm section (guitar, bass, drums, and keys).

Folk music, especially American bluegrass, is happier with a stand-up bassist and a couple guitars.

20130327-095849.jpgWe spend much of our lives hearing music that utilizes the entire range of tonalities, rhythms, and auditory effects. We are immersed in it so much that we come to expect it to the point that anything simpler sounds… Thin. Performing with it remains a bit like being naked. You have nowhere to hide, no way to immerse yourself behind guitars and basses or fancy effects. You are out there in your musical skivvies, front and center, and everything shines through over the brilliance of plucked strings.

Totally naked.

No barriers between you and your song.

It’s kind of a refreshing feeling…

(I could keep on with the double entendres, but I’ll leave it at that. :) )